Lisa Radon has made exhibitions at the Portland Institute for Contemporary Art, Pied-à-terre San Francisco; Ditch Projects, Springfield, OR; Artspeak, Vancouver, B.C; and was recently included in Six Weeks at the Henry Art Gallery, Seattle. Her books include The Blind Remembrance of the Swirling Bone, Infinity Increaser, The Plumb and The Wave, and Prototyping Eutopias. In 2016, she is included in a two-woman exhibition at RONGWRONG, Amsterdam, and will make a solo exhibition at Jupiter Woods, London. Radon publishes the journal EIGHTS.
“What is concealed is the flower. What is not concealed cannot be the flower.”